Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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George Spencer Watson
Portrait of Hilda Spencer Watson

ID: 85857

George Spencer Watson Portrait of Hilda Spencer Watson
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George Spencer Watson Portrait of Hilda Spencer Watson


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George Spencer Watson

R.O.I., R.P., A.R.A., R.A. (8 March 1869, London - 11 April 1934, London) was an English portrait artist of the late romantic school who sometimes worked in the style of the Italian Renaissance. He studied at the RA Schools from 1889, exhibited at the Royal Academy from 1891. He won Royal Academy Schools Silver Medals in 1889 and 1891, and the Landseer Scholarship in 1892. He was elected R.O.I. in 1900, R.P. in 1904, A.R.A. in 1923, and a Member of the Royal Academy (R.A.) in 1932. He married Hilda, a dancer and mime artist, and follower of the actor Edward Gordon Craig. They had a daughter, Mary Spencer Watson (1913 - 2006), who became a sculptor. In 1923 he bought Dunshay Manor in the hills of the Isle of Purbeck, after already have spent holidays in Swanage. He died in London and a memorial exhibition was held at the Fine Art Society in the same year. There is a memorial to him in the north vestibule of St James's Church, Piccadilly, London. Some of his works are held at Tate Britain, the Harris Art Gallery, Preston and collections in Bournemouth, Liverpool, Plymouth and the National Gallery of Canada. Born in London, Watson studied at the Royal Academy from 1889; he exhibited there from 1891 and also at the Paris salon. Retrospective exhibitions were held at the Galerie Heinemann, Munich in 1912, and at the Fine Art Society in 1914. His work A Lady in Black (1922) is owned by the Tate Collection.   Related Paintings of George Spencer Watson :. | Landschaft auf La Dominique | Still Life with Turnips | pojke med kalke | Huile sur toile | Ariel and Caliban |
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Ciro Ferri
Italian Baroque Era Painter and Sculptor , ca.1634-1689 was an Italian Baroque sculptor and painter, the chief pupil and successor of Pietro da Cortona. He was born in Rome, where he began working under Cortona and with a team of artists in the extensive fresco decorations of the Quirinal Palace (1656-1659). He collaborated with Cortona and completed for him the extensive frescoed ceilings and other internal decorations begun in the Pitti Palace, Florence (1659-1665). His independent masterpiece is considered an extensive series of scriptural frescoes in the church of Basilica di Santa Maria Maggiore (Bergamo). In addition, also well known is his an altarpiece of St Ambrose Healing the Sick in the church of Sant'Ambrogio della Massima in Rome. In 1670, he began the painting of the cupola of Sant'Agnese in Agone in central Rome, in a style recalling of Lanfranco's work in the dome of Sant'Andrea della Valle; but died before it was completed in 1693 by his successor Sebastiano Corbellini. He executed also a large amount of miscellaneous designs, such as etchings and frontispieces for books; and served as an architect as well. Ferri was appointed to direct the Florentine students in Rome, and Gabbiani was one of his leading pupils. As regards style, Ferri ranks as chief of the grand manner of Cortona, as opposed to the more sober and spare style promulgated by Andrea Sacchi, and continued by Carlo Maratta and others.






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